jd urban

In late spring of 2014, Creative Time presented the first large-scale public project by Kara Walker, one of the most important artists of our era. Sited in the sprawling industrial relics of Brooklyn’s legendary Domino Sugar Factory, Walker’s physically and conceptually expansive installation—a massive, sugar-coated sphinx-like woman—responded to the building and its history.

In late spring of 2014, Creative Time presented the first large-scale public project by Kara Walker, one of the most important artists of our era. Sited in the sprawling industrial relics of Brooklyn’s legendary Domino Sugar Factory, Walker’s physically and conceptually expansive installation—a massive, sugar-coated sphinx-like woman—responded to the building and its history.

In late spring of 2014, Creative Time presented the first large-scale public project by Kara Walker, one of the most important artists of our era. Sited in the sprawling industrial relics of Brooklyn’s legendary Domino Sugar Factory, Walker’s physically and conceptually expansive installation—a massive, sugar-coated sphinx-like woman—responded to the building and its history.

In late spring of 2014, Creative Time presented the first large-scale public project by Kara Walker, one of the most important artists of our era. Sited in the sprawling industrial relics of Brooklyn’s legendary Domino Sugar Factory, Walker’s physically and conceptually expansive installation—a massive, sugar-coated sphinx-like woman—responded to the building and its history.